![](https://static.wixstatic.com/media/11062b_a6d154bfda6d4921baa3cdf6b615a9db~mv2_d_5184_3456_s_4_2.jpg/v1/fill/w_1920,h_1280,al_c,q_90,usm_0.66_1.00_0.01,enc_avif,quality_auto/11062b_a6d154bfda6d4921baa3cdf6b615a9db~mv2_d_5184_3456_s_4_2.jpg)
Cultura Audiovisual
Natalia Ruiz
TAREA 4. IMAGEN FIJA. PUNTO, LÍNEA, PLANO
PARTE 1, Rodchenko
![](https://static.wixstatic.com/media/162afb_3551824c4e9d46ff8b9babce7e819b8c~mv2.jpg/v1/fill/w_436,h_654,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_3551824c4e9d46ff8b9babce7e819b8c~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_2b3b22f5791e45a2b342ae5dfd490e06~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_2b3b22f5791e45a2b342ae5dfd490e06~mv2.jpg)
En esta imagen juego con la sucesión de tres diferentes lineas discontinuas en una carretera vacía. Los contrastes guían a la vista y al espacio concentrado entre estas tres.
![](https://static.wixstatic.com/media/162afb_1989b16fd0e54194a1718015dd3040e0~mv2.jpg/v1/fill/w_394,h_652,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_1989b16fd0e54194a1718015dd3040e0~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_8093fa858c37483f804fdf8385bbbb3d~mv2.jpg/v1/fill/w_363,h_599,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_8093fa858c37483f804fdf8385bbbb3d~mv2.jpg)
Seleccioné las escaleras del Centro Botín con el fin de encontrar una perspectiva que cambiara la percepción del espacio, simulando el paso por un puente colgante.
![](https://static.wixstatic.com/media/162afb_c381ba6cf110452bb78c1c2fc998a17b~mv2.jpg/v1/fill/w_338,h_507,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_c381ba6cf110452bb78c1c2fc998a17b~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_019a66a768294f49ba2622db59898f6f~mv2.jpg/v1/fill/w_369,h_561,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_019a66a768294f49ba2622db59898f6f~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_00ceb5e697114469b81fc52b8b2a8b37~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_00ceb5e697114469b81fc52b8b2a8b37~mv2.jpg)
Un juego de contrastes con luces.
![](https://static.wixstatic.com/media/162afb_1811f7f6b29840f8b086552e5c32c2ee~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_1811f7f6b29840f8b086552e5c32c2ee~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_3294714b157240f68e888a7cf5aca935~mv2.jpeg/v1/fill/w_480,h_720,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_3294714b157240f68e888a7cf5aca935~mv2.jpeg)
![](https://static.wixstatic.com/media/162afb_b1adaef016ea4639b3a8dc5b7d56a45a~mv2.jpg/v1/fill/w_270,h_405,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_b1adaef016ea4639b3a8dc5b7d56a45a~mv2.jpg)
He pretendido en las fotos por solitario encuadrar el espacio dentro de la carretera y en la imagen central he superpuesto las imágenes.
PARTE 2
AUTOR: Jan van Eyck
TÍTULO DE LA OBRA: El matrimonio Arnolfini
AÑO DE REALIZACIÓN: 1436
TÉCNICA: Oleo sobre tabla
![](https://static.wixstatic.com/media/162afb_8828ff2797d44bd6a4323e455050dea7~mv2.jpg/v1/fill/w_346,h_473,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_8828ff2797d44bd6a4323e455050dea7~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_7ce50cb3709c42aebb5b67d293f9fa8c~mv2.jpeg/v1/crop/x_0,y_0,w_1536,h_2004/fill/w_371,h_484,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_7ce50cb3709c42aebb5b67d293f9fa8c~mv2.jpeg)
![](https://static.wixstatic.com/media/162afb_4db35b437c4e4e86bf0ddbe310b69e90~mv2.jpeg/v1/crop/x_0,y_0,w_1484,h_1921/fill/w_374,h_484,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_4db35b437c4e4e86bf0ddbe310b69e90~mv2.jpeg)
PARTE 3, 13 FOTOGRAFÍAS
1. LEY DE LOS TERCIOS
![](https://static.wixstatic.com/media/162afb_df3f518d0ddf41f5b32c3a241ba9bed1~mv2.jpg/v1/fill/w_600,h_564,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_df3f518d0ddf41f5b32c3a241ba9bed1~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_51cecdbc43a748d291a300ed0a7db527~mv2.jpg/v1/crop/x_0,y_973,w_3456,h_2559/fill/w_533,h_395,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_51cecdbc43a748d291a300ed0a7db527~mv2.jpg)
El montón de ropa y yo somos los electos principales de esta imagen, están situados de esta forma para lograr un mayor impacto.
2. LEY DE HORIZONTE
![](https://static.wixstatic.com/media/162afb_8c6f5e8969814ce49a489ef81d3d9e4e~mv2.jpg/v1/fill/w_437,h_656,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_8c6f5e8969814ce49a489ef81d3d9e4e~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_8d0f151978d84ef1b97e7ce3a2a6c162~mv2.jpg/v1/fill/w_672,h_448,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_8d0f151978d84ef1b97e7ce3a2a6c162~mv2.jpg)
Elegí el atardecer de una playa para así dividir la composición en dos sectores diferenciados.
3. LEY DE LA MIRADA
He querido destinar un espacio para el elemento fundamental de la imagen
![](https://static.wixstatic.com/media/162afb_2f0f9196887f40068544610b9f6a64fa~mv2.jpg/v1/fill/w_423,h_635,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_2f0f9196887f40068544610b9f6a64fa~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_1647d1170a624a988b2f0a13b2c0256f~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_1647d1170a624a988b2f0a13b2c0256f~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_8fbd799e4b4a4be195c8b98c886e58a9~mv2.jpg/v1/fill/w_285,h_428,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_8fbd799e4b4a4be195c8b98c886e58a9~mv2.jpg)
4.CENTRO DE INTERÉS
El Centro de interés permite definir lo que se quiere enseñar en la imagen, en este caso El Centro de interés soy yo paseando en forma de "percha".
![](https://static.wixstatic.com/media/162afb_7f6f124348ed47219c0bd84228b89e1a~mv2.jpg/v1/fill/w_492,h_738,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_7f6f124348ed47219c0bd84228b89e1a~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_53bf052c2932461bb00d5b0b11355107~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_53bf052c2932461bb00d5b0b11355107~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_074ad08ef46845ecac4240ebc17f70af~mv2.jpg/v1/fill/w_290,h_435,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_074ad08ef46845ecac4240ebc17f70af~mv2.jpg)
5. RELLENAR ENCUADRE
![](https://static.wixstatic.com/media/162afb_565d3b4f20f045ada26fc2959d297e7c~mv2.jpg/v1/fill/w_441,h_662,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_565d3b4f20f045ada26fc2959d297e7c~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_007d8e00b6f74bbaa0e76e1dc85d400c~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_007d8e00b6f74bbaa0e76e1dc85d400c~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_bae8fb03247442409c0c507c0c63e445~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_bae8fb03247442409c0c507c0c63e445~mv2.jpg)
El sujeto de interés, en este caso, el mar, ocupa gran parte de la imagen.
6. EL ENFOQUE SELECTIVO
![](https://static.wixstatic.com/media/162afb_16168f14631c4dbf9c5bb451ee75a373~mv2.jpg/v1/fill/w_417,h_626,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_16168f14631c4dbf9c5bb451ee75a373~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_1585173ae63046cf81549fea452d52a9~mv2.jpg/v1/fill/w_403,h_704,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_1585173ae63046cf81549fea452d52a9~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_9fc1227a578747f1a3fdbef9f375fca6~mv2.jpg/v1/crop/x_0,y_261,w_1125,h_1724/fill/w_340,h_521,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_9fc1227a578747f1a3fdbef9f375fca6~mv2.jpg)
Elegí hacer varias fotos ya que mientras paseaba vi varias oportunidades de hacer esta ley. He dado importancia en cada fotografía al elemento más importante.
7. JUGAR CON LAS LÍNEAS
![](https://static.wixstatic.com/media/162afb_6dca171aaf0b4aa3a1e930a09c30fd86~mv2.jpg/v1/fill/w_499,h_665,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_6dca171aaf0b4aa3a1e930a09c30fd86~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_98ce3e98364343778a6e23ca1813acd6~mv2.jpg/v1/fill/w_365,h_487,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_98ce3e98364343778a6e23ca1813acd6~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_b5997ccb7ca84dd7bc9a5b1bce8196a7~mv2.jpg/v1/fill/w_450,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_b5997ccb7ca84dd7bc9a5b1bce8196a7~mv2.jpg)
Fotos realizadas en El Centro Botín. Hay un conjunto de líneas horizontales y verticales que dan rigidez y firmeza.
8. REPETICIÓN DE ELEMENTOS
![](https://static.wixstatic.com/media/162afb_0bc52c66ba6b4242b3cbd8cf75bb83c7~mv2.jpg/v1/fill/w_475,h_727,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_0bc52c66ba6b4242b3cbd8cf75bb83c7~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_a5cbebcd9bf84dd4af7d645d05126c01~mv2.jpg/v1/fill/w_445,h_668,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_a5cbebcd9bf84dd4af7d645d05126c01~mv2.jpg)
Las vallas dan efecto de continuidad, guían un camino.
9. ESPACIO NEGATIVO
![](https://static.wixstatic.com/media/162afb_7a23b501fde24491952b0847accc5cd2~mv2.jpg/v1/fill/w_675,h_450,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_7a23b501fde24491952b0847accc5cd2~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_e2fbafdbd24d4d9da903b7e5d83de7df~mv2.jpg/v1/fill/w_582,h_388,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_e2fbafdbd24d4d9da903b7e5d83de7df~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_4a067c286f2d429196cb7534c32122e4~mv2.jpg/v1/fill/w_463,h_309,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_4a067c286f2d429196cb7534c32122e4~mv2.jpg)
He tratado de resaltar el espacio vacío generando un contraste entre el blanco y el negro
10. ENMARCADO NATURAL
![](https://static.wixstatic.com/media/162afb_f36a118815da405d9aa561d3ca4a668d~mv2.jpg/v1/fill/w_410,h_729,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_f36a118815da405d9aa561d3ca4a668d~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_f36a118815da405d9aa561d3ca4a668d~mv2.jpg/v1/fill/w_384,h_683,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_f36a118815da405d9aa561d3ca4a668d~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_ac861d6ebeb84213ac919b7c514fd473~mv2.jpg/v1/crop/x_0,y_230,w_1125,h_1771/fill/w_299,h_470,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_ac861d6ebeb84213ac919b7c514fd473~mv2.jpg)
La tienda de campaña ayuda a dar un enmarcado natural a la zona más importante de la imagen.
11. CAMBIAR PUNTO DE VISTA
![](https://static.wixstatic.com/media/162afb_f395a93e0d6d42cdba5adb9121def49c~mv2.jpg/v1/fill/w_510,h_765,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_f395a93e0d6d42cdba5adb9121def49c~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_13e8036c7b624669901b2750fbe4fe2b~mv2.jpg/v1/fill/w_477,h_716,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_13e8036c7b624669901b2750fbe4fe2b~mv2.jpg)
En la foto real yo estaba tumbada horizontalmente y al girar la foto parece que estoy sentada mirando el móvil.
![](https://static.wixstatic.com/media/162afb_e7378fb9091747cbb74c4a61b63ad3d6~mv2.jpg/v1/fill/w_400,h_600,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_e7378fb9091747cbb74c4a61b63ad3d6~mv2.jpg)
12. SECCIÓN AUREA
Fotos realizadas con el dron en el faro del caballo, Santoña. El punto de la foto en el que hay más elementos es donde está el faro.
13. LAS CURVAS EN S
![](https://static.wixstatic.com/media/162afb_b786754e409f45dfb4a6c238f074ed63~mv2.jpg/v1/fill/w_445,h_791,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_b786754e409f45dfb4a6c238f074ed63~mv2.jpg)
![](https://static.wixstatic.com/media/162afb_cc078eb2930244a88f2bffe4bf6e18e8f000.jpg/v1/fill/w_360,h_640,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_cc078eb2930244a88f2bffe4bf6e18e8f000.jpg)
![](https://static.wixstatic.com/media/162afb_27b150a5dde94e538bf9006f80d786ba~mv2.jpg/v1/fill/w_886,h_507,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/162afb_27b150a5dde94e538bf9006f80d786ba~mv2.jpg)
Foto que realicé con un dron en una carretera de curvas por la noche.